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Clearlight Shows operates as the definitive lighting resource for the Australian theatrical and entertainment sector. Built on a foundation of 40 + years of industry operation, we bridge the gap between a high-volume Dry Hire shop and a consultative Sales agency.

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About Us
50 Years in the
Spotlight
Learn More
1974 – The Spark

The Spark

"Setting the Stage" Every legacy has a beginning. In 1974, the journey began with a simple but ambitious vision: to provide the Australian theatre and events industry with lighting solutions that didn't just illuminate a stage, but defined it. In an era of analogue dimmers and par cans, founder John McKissock recognized a gap in the market for reliable, high-quality lighting hire backed by genuine technical expertise. The seeds were sown for what would become one of Melbourne's most trusted production partners.

1980s

Establishing the Name

"Building the Foundation" As the Australian live music and theatre scenes exploded in the 80s, Clearlight Shows solidified its reputation. Incorporating formally in 1978, the company spent this decade expanding its inventory and honing its "show-must-go-on" service philosophy. We moved from small local gigs to supporting major productions, establishing the Moorabbin headquarters as a hub where lighting designers knew they could find both the gear and the guidance they needed.

1990s & 2000s

The Technological Shift

"Embracing Intelligence" The turn of the millennium brought a revolution: the transition from conventional tungsten to intelligent lighting and early LEDs. Clearlight Shows was at the forefront of this shift. We didn't just hire equipment; we became educators and early adopters. This era marked our evolution into a true "One-Stop Shop," expanding our Sales Department to supply schools, theatres, and venues with the same professional-grade equipment used on our hire productions.

2010s

Global Partnerships

"Connecting Australia to the World" To offer the best, you have to work with the best. This decade was defined by forging exclusive distribution partnerships with global innovators like Highlite International (Infinity, Showtec), Artecta, and Swefog. By bringing these prestigious European brands to Australian shores, Clearlight Shows empowered local designers with world-class tools—from the precise optics of Infinity moving heads to the atmospheric perfection of Swefog haze—making high-end production values accessible to all.

2020

Resilience & Innovation

"Lighting the Way Forward" When the world paused in 2020, the importance of connection and entertainment became clearer than ever. Clearlight Shows used this time to reinforce our commitment to the industry, showcasing resilience at the Entech Roadshow and expanding our portfolio with green technologies. We deepened our focus on sustainable, energy-efficient LED solutions, helping venues like the historic Plaza Ballroom transition into the future without losing their classic charm.

2024

Beyond – The Next Act

"Future Focused" Fifty years on, the technology has changed, but our DNA remains the same. Today, Clearlight Shows stands as a pillar of the Australian production industry—a blend of family-business values and cutting-edge tech. With a new generation of creative tools from Capture visualization to Wentex rigging, we aren't just looking back at a golden past; we are illuminating the next 50 years of Australian creativity.

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FAQ

Opening Hours
  • Our office hours are:
  • Monday – Friday
  • 9am – 5.30pm

Special consultations and installations can be arranged outside of hours by appointment.

Services

Clearlight Shows offers Sales and Dry-Hire services, plus maintenance, testing and tagging, installation, consultation, and training. We also handle custom requests for tenders and creative projects.

We're here to help. Can't find what you need? Call our team on 03 9553 1688 to discuss your requirements with an expert.

Delivery

Clearlight does offer a range of delivery options for Sales, Hire and Installation.

Place your order before 11am for same day delivery in Melbourne (VIC) Metro or  next day delivery to most other locations.

If you prefer, or you are in a rush you can collect your items from our Moorabbin office.

How does the robe robin 800 work?

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The enhanced ROBIN® 800 LEDWash brings Robe’s patented system for seamless, even and smooth zoom and output of RGBW multichip LED technology a step further.
Brighter LED chips and a removable beam shaper module with motorized rotation creates the perfect combination for theatre, TV and other professional applications.

The fixture has an incredibly wide zoom range starting at 8 degrees and going up to 63 degrees.
Many enhanced features include quiet zoom operation, Beam/Wash zoom mode, virtual colour wheel with calibrated whites, RGBW/CMY colour mixing and more.

The touch screen navigation display supports many controlling protocols, status data logging, software updates and other features which are standard in the Robe ROBIN series.

Three LED rings with individual colour control of each LED ring, pre-programmed random strobe & pulse effects and individual zone strobe effects, variable speedStrobe effect with variable speed (max. 20 flashes per second) and Zoom Range linear motorized zoom 8° – 63°, only some of its special features.

Why am i blowing lamps?

The top five reasons lamps are blowing too quickly are:

1. Your fixture is upside down (image below). See “How to Correctly Hang a Light”

2. When changing a quartz halogen lamp care must be taken not to touch the lamp with bare hands as the residue left by oils in our skin will significantly reduce the life of the lamp if not cleaned with alcohol before use. Use a tissue or plastic bag when fitting lamps.

3. Theatrical lamps, like most light globes, have fragile filaments so they can be broken by dropping either the fixture with the lamp fitted or dropping the lamp itself, even when it is still in the box, treat them like eggs.

4. When focusing fixtures, it is important not to jar the fixture with sharp movements as the lamps become more fragile when they are hot. If you are having trouble moving any of the focus parts of the fixture, turn it off and come back after it has had a chance to cool down a bit. Loosen off the parts you need to use and then try again.

5. When you wish to move lights around after a performance or a focusing session, give them a chance to cool down for a while before attempting to move them.

How to correctly hang a light

1. On a Lighting Bar

Look for the place where you put the colour filter frame into the light, this will be the top of the light.

When a light is hung upside down, the filament of the light can get compressed in the wrong direction making the lamp likely to blow quickly.

Getting the light hung the correct way will save you money.
Before the light is actually put on a bar it is important to get the hook clamp (also known as a C-clamp) fixed to the light correctly. We recommend using a spring washer with your bolt set to prevent the lamp becoming loose while focusing. Lastly tighten with a spanned so that the spring washer is compressed. This will hold the hook clamp tightly in place and ensure that once you have focused the light it will stay there.

Now that we know which way to hang the light and we have tightened the bolt set, we can put our light on to the bar. Hang the clamp over the bar so that it sits snugly, with no gap between the clamp and the bar. Tighten the tri-nut or bolt on the clamp. Attach a safety wire or chain to the light and to the bar. This is a very important piece of equipment that is often overlooked.

Safety wires are not expensive and can save money and possibly even lives.

Attach the safety wire to the body of the light, not just through the yoke. Ensure that the clip on the safety wire is closed, otherwise it becomes useless. We recommend using a safety wire that is rated (tested and marked with a recommended maximum weight) and has a lockable clip.
Now open all barndoors or shutters fully.

Running a light with the barndoors closed can cause the lens to crack.

This also makes it easier to see which lights are working and which are not when you run up the lighting rig.

2. On a Stand

Many of the above points apply, but instead of using a hook clamp, you will require a spigot. A spring washer will still come in handy and washers should still be used the same way.

A safety wire is obviously not as important on a stand, but it is still important to get the cable coming out towards the bottom of the light. On some fixtures this may require a bit of adjustment of the yolk, even taking it off and turning it around! It may take a little while, but it is well worth it to save blowing a lamp in the middle of a show.

What lamp is it?

Would you like to know the difference between a T27 lamp and a T19 lamp? Would you like to compare the lamp you have with one you’d like to order? Then try our newLAMP FINDER TOOLor download our free lamp posters and find out more!

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